Since they have released 16 studio albums 14 available worldwide and 2 released only in Australia , 2 soundtrack albums, 4 live albums, 11 video albums, and 2 box set albums. If we were on iTunes, we know a certain percentage of people would only download two or three songs from the album — and we don't think that represents us musically. Finally, they also released their music to Spotify in June , though they previously refused to do so.

40. Soul Stripper (1975)

56. Love Song
If you are deeply offended by criticism, non-worshipping approach to your favourite artist, or opinions that do not match your own, do not read any further. If you are not, please consult the guidelines for sending your comments before doing so. For information on reviewing principles, please see the introduction. For specific non-comment-related questions, consult the message board. For reading convenience, please open the reader comments section in a parallel browser window. Do these guys really need one? Well, okay. These guys come from Australia. They started out in the mid-Seventies as the most kick-ass rock'n'roll band in the Southern Hemisphere. Their lead singer was kinda funny and drank a lot of booze, so they made it real big in the UK and ensured their reputation as the most kick-ass rock'n'roll band in the Old World.
57. Fling Thing
It was just a joke, really. It was released as the B-side to Jailbreak in Written when Dave Evans was the singer, it was reworked for the debut album, High Voltage , but sounded twee and out of character. Bon was not cut out to be a romantic crooner. Of the eight tracks on the original High Voltage only two were included on the international version.
Their first Australian album even featured this intriguing example of a kind of troglodytic hard-rock funk, with cowbells and bongos, neither of which were to become staples of the Akker Dakker sound. It is hardly imaginative musically — a simple boogie shuffle — but feel the hard dryness of the sound. Viewed as underwhelming at the time, it now sounds like a masterpiece compared to much of what followed. A little muddy, perhaps, but this is a great riff. A monstrous opening for a deep cut from the last of the Lange albums: it sounds like being engulfed in an avalanche — and a slightly incongruous introduction to the bouncy riff of the verses. This eponymous song is good, but not classic. On the twisting, tumbling Hail Caesar it worked, though. A rare one-off, from The Last Action Hero soundtrack, that really deserved saving for an official album: terrific riff, good recording.